This initial discussion is in support of a questionnaire which I conducted in order to gather results from respondents of their perceived emotional response and valence when presented with differing musical excerpts, both upon an initial and second listening.
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During my discussion, I incorporate examples of excerpts from the flute repertoire, consider the harmonic language used and function of musical structures, and balance this against the resulting emotional response from us. This research sets out to contrast and evaluate diverse standpoints from psychology and philosophy to discuss firstly how emotions can be defined, whether music creates real emotions in us, and what capacities we possess to be both receptive and conveying of emotion within music. Research Question: How can elements and features from psychology and philosophy illustrate what is fundamental to our emotions, in what way can these concepts be represented within and expressed by the flute repertoire, and how can we incorporate and convey these understandings as performers to create music meaningfully and be of beneficence to others?
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Research Supervisors: Ines de Avena Braga, We can conclude that the VC-SPG is not only a new practical tool, but also a creative instrument for electronic-music and art. They all experienced the VC-SPG to be adding a new dimension to their creative process. I will describe and reflect upon both the technical challenges and development and the musical and artistic results shared with me by students and professionals who used the VC-SPG over the last year for their own work.
THE BARRY HARRIS HARMONIC METHOD FOR GUITAR AUDIO TORRENT GENERATOR
In its present state the VC-SPG has become a new type of generator that is able to switch between different studio presets and form the core of new audio experiences and new compositional approaches. The fundamental core of my research project is the development of an audio-matrix with 16 inputs and 16 outputs that can be fully configured, controlled and programmed with Open Sound Control (OSC) and that can be synced and triggered with external analogue signals. This master research project is a continuation of my previous work at the Royal Conservatoire where I design new technology for Art and Education.
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As we will see, it can be applied in an analogue electronic music studio setup, a modular synthesizer or in an interactive art-installation. It is a switching audio matrix that can both be seen as a new tool, and as a part of a musical-instrument. This thesis describes my electronic and artistic research into the design of what I have called the Voltage Controlled Signal Path Generator (VC-SPG).